I
promised to expand on some recent scores at the charity shops. If
we're talking about pure potential monetary value, in the space of 24
hours last month I scored my two best ever finds. (They score on more than that
though as they are both excellent albums).
The
haul mentioned in my last post included some records from a shop I
almost didn't visit. Going down the road near the start of my charity
shop trawl one Friday back in January one of the shops was closed
with a note on the door saying “back at 13.30”. By the time I
went back up the road I had had a call from Mrs Darce and my daughter
requesting a pick up from 'their' shops. Did I have time to call back
into the shop on the way back up the road? Just about I thought, it
usually only contained one small box of records so shouldn't take a
minute. Am I glad I dropped in! There was only one box, but it
contained some gems! As I was paying for the haul (that included the
soul 45s featured last time) the girl said “I thought these
wouldn't hang around long, they only came in this morning”. Right
place, right time! As well as those soul 45s I
came away with a few albums that included a first press Pink Floyd
Piper At The Gates Of Dawn. It's in pretty good nick. I will
leave you to check out how much it could easily be worth, if you're
interested, but let's just say it is comfortably in the three figure
range (that's three figures before the decimal point, as opposed to the £2.99 I paid for
it knowing it was likely a good find but not at the time
understanding it was a first press.)
Twenty four hours later in another
charity shop in another part of town I stumbled across another record
whose worth probably nudges into the three figure bracket: Waltz
For Debby by the Bill Evans Trio, an original mono UK Riverside
issue. A highly desirable Jazz album found amongst a pile of albums
that were typical charity shop fare i.e. definitely not highly
desirable, and not Jazz. At times like this you wonder: why was it
there?, and had there been any other similar records keeping it
company that had already been snaffled? The picture you see of it's
front cover was taken after I removed the 99p sticker.
In such situations should one feel
guilty of taking advantage of the charity shops' lack of knowledge
of the worth of their wares? Well, I figure I spend enough in charity
shops – for instance I'm always buying records I don't need, or
find I don't like, and often end up being retuned to another charity
shop! Also there is every possibility I will keep these albums, and
if I do end up selling them for a tidy profit then I can always give
a donation. So I'm OK with it.
Waltz for Debby is a beautiful
album, one to put on on late at night, or on a calm Sunday morning.
It was recorded live at the Village Vanguard in New York on the 25th
June 1961. The trio comprised Bill Evans on piano, Scott LeFaro, bass
and Paul Motian, drums. I have read that this was the only time Bill
Evans ever performed Miles Davis' Milestones.
PS: Things often come in threes, but
it was too much to hope for another find of similar magnitude, I'm
still waiting.
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