I picked
up a curious compilation album at the car boot sale last weekend.
It's on the Deacon label. Deacon was a budget label active from
roughly 1969-1972. It released compilations in a “Pick Of The Pops”
style by soundalike artists as well as a whole ragbag of other
releases in various genres – Sounds Like... Ray Conniff, The
Exciting Sounds Of Blues And Brass, and Gunfighter Ballads And Trail
Songs are just three titles to give you an idea. (And, of course,
in true budget label tradition many of their albums featured a young
lady on the front cover - they often present a welcome diversion in
my digging trips!). There were a few compilations of original
material too in the catalog. DEA 1022 Starring Lou Rawls,
released in 1970, is one of them. This album was originally released
5 years earlier in the USA on the Premier label (another budget label
I assume). The album may be called Starring Lou Rawls but Lou
is only represented by two tracks, Joe Tex and Brook Benton each
weigh in with four tracks a piece. I would guess that all the songs
date to around 1960. Soul and R&B was certainly popular in the
mid Sixties in the USA but none of the artists on this album could be
said to have had massive hits or be household names around that time,
so quite why such a compilation was originally released is anybody's
guess. Double ditto for the Deacon release in the UK in 1970. I'm
sure the truth is there was neither rhyme nor reason to many of the
releases such budget labels made (beyond their soundalike hits of the
day cash ins), they just managed to acquire rights to various “second
division” back catalog material at a cheap price and put it out
there in the hope of making a few shillings.
I was
attracted to this Deacon album primarily by Joe Tex's name. I am a
fan of his and didn't recognise his featured tracks so was curious to
hear them. It is the two Lou Rawls tracks that are the standouts
though, so perhaps they got the album title right after all.
In 1960
Lou Rawls was not long out of an eventful few years in his life – a
spell in the army, a possible fling with Candi Staton, and a serious
car crash that nearly resulted in death had all been part of his life
in the late Fifties. He issued his first ever 45 on the Shar-Dee
label in '59/60 and the two tracks on this album comprised both sides
of his second 45 release on that label. This 45 appears to be quite
collectable. By way of this Deacon album I have my own copy of this
45 now, and I'm happy.
Lou Rawls – Kiddio 1960
PS.
giving the album another listen I've realised a track credited to Joe
Tex doesn't disappoint either, I missed this one on first play. A
quick bit of googling led me to a 45 on Jalynne with this on it, and
another track on my Deacon album also credited to Joe Tex. The only
thing is the 45 is by Sammy Taylor. So who is singing this I wonder?
This sounds like it could be Joe.
4 comments:
Hello,
Long time no see.
'Switchin' In The Kitchen' / 'Could This Be Love' (S. Taylor) [Jalynne 109].Both tracks were wrongly attributed to Joe Tex.(see:Joe Tex-'Turn Back The Hands' LP PICKWICK SPC-3020)
In fact this was Sammy Taylor's second single.Recorded in 1961 in Philadelphia,Sam's backed by members of the Uptown Theater Orchestra.This recording was organised while Sammy was playing behind Maxine Brown at the Uptown Theater,Philadelphia,in a bill that was headed by Joe Tex and also included Jerry Butler with Curtis Mayfield.
(Sources: "Sam 'The Bluzman' Taylor" by John Broven & Richard Tapp in JUKE BLUES # 54 Autumn/Winter 2003./SAM TAYLOR JR. Discography at wangdangdula.com)
I saw Sammy perform once,and as the guitarist for Maxine Brown.
Keep up the good work!
Walking For Miles - loved it, Darcy, thanks
Marc: Thanks for this info. Interestingly 45cat has 6 Jalynne releases listed and who should be on Jalynne 105 - Joe Tex. Or is it really another Sammy Taylor? The singer on Could This.. and Switchin' does sound like Joe though.
George: My pleasure.
Wicked Woman/Goodbye My Love (Jalynne 105) is definitely by Joe Tex!
Later,
Marc
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