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At
this
time
of
year
this
blog's
little
sister
chips
in
with
a
few
treats.
I keep telling myself not to take punts on 12" singles, especially if they are recent issues (recent means 90s on in my book). I really know next to nothing about how dance music has evolved over the last 20 years, but I have heard enough to know I am not a fan of, for example, techno, trance, and hard house. I figure for every ten punts I took I might find only one track that I might vaguely like, and there is something about the 12" format that doesn't quite grab me in the same way as a 7". And it takes up too much space!
The original shop price sticker helped me out with this one though. I had never heard of Deyampert, but the sticker said "deep soulful garage" and that was enough to sell it to me because that is one of the recent genres of "R&B" I have found I quite like, and when I played this 12" for the first time it was a bit of a Ronseal moment - I found it does exactly what it says on the tin (or label to be more precise here).
Something nice and chilled for a Saturday night - and something to take my mind off the fact it looks like my beloved football team are actually being drawn into a relegation dog fight - for real ("unbelievable, Jeff!").
Deyampert feat. Jane Hamilton - It's You 2003
The Players had just the four singles released, in an 18 month period between 1966 and '67. Their debut single, with a Vietnam theme, was a big hit on the soul stations and made the R&B top 30 in '66. Unusually for a soul group who were not an established act Minit released an album on them. The (brief) history of the band is complicated and is expanded upon in Robert Pruter's book Doo-Wop, The Chicago Scene.
This, their third single, certainly demonstrates Herbert Butler had a good voice, and the producers of their debut single obviously thought so too by keeping him on the recording session and teaming him with most of the members of The Dells on backing. The singers that eventually joined Butler to become The Players could all trace their roots back to the fifties Chicago Doo Wop scene, and on these sides they complement Butler's warm tenor very well.
I can find no information on what became of the members of The Players, Herbert Butler certainly deserved more success, but it was a crowded scene back then and it would seem he was played no more.
In true Friday fashion here, both sides of this Chicago delight are served up for your pleasure.
The Players - There's Got To Be A Way 1967
The Players - That's The Way (To Tend To Business) 1967
I would like to say I found this 45 in the wild, but I didn't, this one came from the 'bay. Reggae records very seldom turn up at car boots and charity shops. I always get excited when I spy the Trojan label at such a venue - except actually I don't anymore because now I automatically assume it is going to be Ken Boothe's Everything I Own, and my assumption is almost always correct.
I was surprised to find U Roy on a Trojan release, and in fact I was right to be surprised - on 45cat the Trojan record label currently have 587 singles listed and TR 7884 is the only one featuring U Roy.
I am not as well versed in Reggae as I am in Soul so I also admit to being surprised at the year 1972 on the label. That seemed early to me for U Roy, I always think of him as coming to the fore later in the 70s. This track also sounds a little ahead of its time to me. But it seems it was released in December 1972, so will now be celebrating, roughly, its 43rd birthday.
I was going to feature the A side, Hat Trick, which would have tied in nicely with this being door number 3 on this year's Advent-ure. But the B side is even better so gets the nod.
It's a little bit swishy swooshy for starters - I could maybe have blamed the rain on the window for that!
U Roy - Wet Vision 1972
I've been trying to buy less in the charity shops and booters lately because storage space is getting a serious problem. But my addiction is just as strong as ever in truth as exhibited by this, a charity shop purchase yesterday.
It was odds on it would contain sub standard fare in the grooves. From the West Indies, but Barbados not Jamaica, so Reggae would not feature. Possibly Calypso, bit containing lots of covers - Knock Three Times for instance - so the hopes weren't high. Still the cover was worth the entry price anyway.
Having played most of this now I have to say I've been charmed by it. It does feature an organist who places the band fairly and squarely on the Windies hotel circuit, and there is too much of him. But I'm really liking the horns, in turns haunting and jaunty, and when they are haunting they sort of bring to mind Tower Of Power in their early days (I'm thinking Sparkling In the Sand especially, which is what these Tropical Islanders are doing).
It's going onto the keep pile - which keeps getting bigger!
Tropical Islanders - Oy Como Va 19??
Tropical Islanders - Make It With You 19??
Yikes! All of a sudden it's December. How did that happen?
As is now customary around here that means it is time for another Feel It Advent-ure. A post a day, can i really do it again? I'm not sure to be honest, but I'll give it a go.
McKinley Mitchell - All Of A Sudden 1962
(PS be sure to tell me if the downloads stop working).