If it's Friday it must be a double header 45. At least for a while here, and now and then, that holds true.
About time for another one.
For a long time I was only aware of Thelma Jones through her tortured and superb 1976 single Salty Tears, which has featured here before. I have since familiarised myself to a degree with her earlier output. The House That Jack Built for example is a favourite on the mod/scooter/Northern scene and is a stormer.
Until recently I didn't have any other records of hers, but now this, a copy of her first 45, is safely tucked away in the collection. Stronger I knew, it's a good driving dancer, although a little repetitive. The attraction for me is Never Leave Me. I had not heard this track until a few months ago. Something of a deep soul gem, it is right up my alley. Thelma takes it to church, although to be more precise I am sure she took it straight from church where I just know she must have been singing just before she recorded this in late 1966. A time when the slow, deep side would still take the A, with the dancer relegated to the B. That would soon change, and the trend continued to the extent that the dancer always seems to get the push now whether it was an A or a B side – as I said I knew Stronger but it has taken nearly 50 years to hear Never Leave Me, and now it will live up to its title. Thelma Jones is one helluva singer who deserves to have a deeper catalog.
PS: Mrs Darce and I are off to Canada for three weeks next Friday. I will try and fit in another post, although packing panic may well set in. So this may be the last post until later in September.